Technology in Music Education

Authors

DOI:

https://doi.org/10.21432/cjlt28153

Keywords:

music education, technology, software, Caribbean

Abstract

This study examined the use of music software as a pedagogical tool for the delivery of specific content in a music education course offered to Certificate and Bachelor of Education Program students at a Caribbean university. The existing course uses a traditional approach, and thus, the study is significant as the results would propel a shift toward transformational teaching. Twenty-four university students were chosen for the study which adopted a mixed methods approach. Over one semester, participants used a free, open-source music software program to learn simple time signatures. Students produced an assignment as well as completed a questionnaire. Ninety percent of students were able to compose eight bars of music according to a simple time signature using the software. Most participants intimated they felt comfortable and motivated using the software, they understood concepts taught, and they suggested its continued use. The majority of participants also stated that they required more training. Some participants even said that they would adopt this methodology on their teaching practicum. Based on the results, recommendations include the adoption of this and other technological teaching tools within the music program, a teaching practicum assessment, and a progressive training component for both students and staff.

Author Biographies

Adita Maharaj, The University of Trinidad & Tobago

Adita Maharaj is an assistant professor at The University of Trinidad and Tobago and working in the field of education since 1991. Her main areas of research interests are early childhood, reading, curriculum facilitation, and technology inclusion. Her tertiary level experience began in 2010 at The University of the West Indies.

Akini Gill, The University of Trinidad & Tobago

Akini Gill is a music education instructor and lecturer in the Centre for Education at The University of Trinidad and Tobago for the past eight years. He is a strong advocate for resources to reach all students with learning disabilities and believes that all children can learn.

References

Feierabend, J. (2021). First steps in music for preschool and beyond: The curriculum (Revised ed.). GIA Publications.

Freedman, B. (2017). Music fluency: How technology refocuses music creation and composition. In S. Alex Ruthmann & R. Mantie (Eds.), The Oxford handbook of technology and music education (pp. 367–382). Oxford.

Gall, M. (2013). Trainee teachers’ perceptions: Factors that constrain the use of music technology in teaching placements. Journal of Music, Technology and Education, 6(1), 5–27. https://doi.org/10.1386/jmte.6.1.5_1

Gordon, A. M., & Browne, K. W. (2017). Beginnings and beyond: Foundations in early childhood education. Delmar Publishers.

Gordon, E. E. (2012). Learning sequences in music: A contemporary music learning theory. GIA Publications.

Lam, C. K. (2023). Technology-enhanced creativity in K-12 music education: A scoping review. International Society for Music Education. Advance online publication. https://doi.org/10.1177/02557614231194073

Mouza, C., & Lavigne, N. C. (2012). Introduction to emerging technologies for the classroom: A learning sciences perspective. In C. Mouza & N. Lavigne (Eds.), Emerging technologies for the classroom: A learning sciences perspective (pp. 1–12). Springer.

Nart, S. (2016). Music software in the technology integrated music education. TOJET: The Turkish Online Journal of Educational Technology, 15(2), 78–84. https://files.eric.ed.gov/fulltext/EJ1096456.pdf

Parasiz, G. (2018). The use of music technologies in field education courses and daily lives of music education department students. Universal Journal of Educational Research, 6(5), 1005–1014.

Tashakkori, A., & Teddlie, C. (2010). Handbook of mixed methods in social and behavioral research (2nd ed.). Sage.

Turner, M. E. (2008). Listen, move, think: Communicating through the languages of music and creative movement. http://www.listenmovethink.com/#intro

Uludag, A. K., & Satir, U. K. (2023). Seeking alternatives in music education: The effects of mobile technologies on students’ achievement in basic music theory. International Journal of Music Education. Advance online publication. https://doi.org/10.1177/02557614231196972

UN DESA. (2023). The Sustainable Development Goals Report 2023: Special Edition - July 2023. New York, USA.

Vagle, M. (2018). Crafting phenomenological research. Routledge Taylor and Francis Group.

Waddell, G., & Williamon, A. (2019). Technology use and attitudes in music learning. Frontiers in ICT, 6(11). https://doi.org/10.3389/fict.2019.00011

Published

2023-11-28

Issue

Section

Articles